Patrick Pagano - Large Scale Graphics Research
Projection Design
“Projection Design” offers a hands-on approach to the design, planning and execution of digital projections in a variety of performance spaces by using a combination of industry standard and open source research software tools. This blog will serve as an online text for the developing book, "Technical Ecstasy" and link for the web-readings, online tutorials,software resources historical examples, video art and performance examples and essential class communications for Projection Design class taught by Patrick Pagano
Monday, October 20, 2008
Brion Gysin
Brion Gysin (January 19, 1916 - July 13, 1986) was a painter, writer, sound poet, and performance artist born outside of London, Taplow, Buckinghamshire. He is best known for his discovery of the cut-up technique used by William S. Burroughs. With Ian Somerville he invented the Dreamachine, a flicker device designed as an art object to be viewed with the eyes closed. It was in painting, however, that Gysin devoted his greatest efforts, creating calligraphic works inspired by Japanese and Arabic scripts. Burroughs later stated that "Brion Gysin was the only man I ever respected."
Cut-up Technique
The cut-up and the closely associated fold-in techniques are literary writing styles that try to break the linearity of common literature. They are designed to be used with common typewriters.
* Cut-up is performed by taking a finished and fully linear text (printed on paper) and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text. The rearranging of work often results in surprisingly innovative new phrases. A common way is to cut a sheet in four rectangular sections, rearranging them and then typing down the mingled prose while compensating for the haphazard word breaks by improvising and innovating along the way.
* Fold-in is the technique of taking two different sheets of linear text (with the same linespacing), cutting each sheet in half and combining with the other, then reading across the resulting page. The resulting text is often a blend of the two themes, somewhat hard to read.
* Cut-up is performed by taking a finished and fully linear text (printed on paper) and cutting it in pieces with a few or single words on each piece. The resulting pieces are then rearranged into a new text. The rearranging of work often results in surprisingly innovative new phrases. A common way is to cut a sheet in four rectangular sections, rearranging them and then typing down the mingled prose while compensating for the haphazard word breaks by improvising and innovating along the way.
* Fold-in is the technique of taking two different sheets of linear text (with the same linespacing), cutting each sheet in half and combining with the other, then reading across the resulting page. The resulting text is often a blend of the two themes, somewhat hard to read.
Wednesday, October 15, 2008
Shamar's Hamlet Video
the use of eyes in the movie is very good for conveying the insanity in hamlet. I think the video might dwell a bit too much on the insanity and murderous nature of hamlet, perhaps some other images to convey other aspects, like his literateness and cunning. To tell the truth, I thought more of Polonius than Hamlet when I saw this particular video, especially with the poison imagery, but that's not necessarily a bad thing, the two do share many traits. And of course, you may want to highlight these aspects of Hamlet anyway depending on the production. Overall, the video looks pretty clean and is aesthetically pleasing, except for the borders that Pat talked to you about in class
Thursday, October 9, 2008
MASS Ensemble and o2 Creative Solutions - MASS MUSIC DOME
MASS Ensemble and o2 Creative Solutions - MASS MUSIC DOME
MASS Ensemble and o2 Creative Solutions Present Show inside a musical geodesic domefrom PRWEB
A visual and musical event at Santa Monica Pier where the audience experiences the performance from inside the instrument.
Santa Monica Pier, Santa Monica, California (PRWEB) November 11, 2005 -- The internationally renowned MASS Ensemble's large-scale instruments and kinetic performances have enthralled and delighted audiences throughout the U.S. and abroad. Now, the performance group that invented the world's largest stringed instrument has partnered with the prestigious experience design firm o2 creative solutions to create MASS MUSIC DOME, a completely immersive visual and musical performance event, in which the venue is the musical instrument.
http://www.massmusicdome.com/
MASS Ensemble and o2 Creative Solutions Present Show inside a musical geodesic domefrom PRWEB
A visual and musical event at Santa Monica Pier where the audience experiences the performance from inside the instrument.
Santa Monica Pier, Santa Monica, California (PRWEB) November 11, 2005 -- The internationally renowned MASS Ensemble's large-scale instruments and kinetic performances have enthralled and delighted audiences throughout the U.S. and abroad. Now, the performance group that invented the world's largest stringed instrument has partnered with the prestigious experience design firm o2 creative solutions to create MASS MUSIC DOME, a completely immersive visual and musical performance event, in which the venue is the musical instrument.
http://www.massmusicdome.com/
The Kitchen
The Kitchen is a non-profit, multi-disciplinary art space in New York.
The Kitchen was founded in Greenwich Village in 1971 and it takes it name from its original location, the kitchen of the Mercer Arts Center. Although first intended as a location for the exhibition of video art, the Kitchen soon expanded its mission to include other forms of art (plastic and performance). Notable Kitchen alumni include Philip Glass, Laurie Anderson, Rocco Di Pietro, John Moran, Peter Greenaway, Michael Nyman, Pauline Oliveros, Ridge Theater, The Future Sound of London, Leisure Class, Brian Eno, and Cindy Sherman.
http://www.thekitchen.org/
The Kitchen was founded in Greenwich Village in 1971 and it takes it name from its original location, the kitchen of the Mercer Arts Center. Although first intended as a location for the exhibition of video art, the Kitchen soon expanded its mission to include other forms of art (plastic and performance). Notable Kitchen alumni include Philip Glass, Laurie Anderson, Rocco Di Pietro, John Moran, Peter Greenaway, Michael Nyman, Pauline Oliveros, Ridge Theater, The Future Sound of London, Leisure Class, Brian Eno, and Cindy Sherman.
http://www.thekitchen.org/
Steina and Woody Vasulka
Steina Vasulka (born Steinunn Briem Bjarnadottir in 1940)[1] and Woody Vasulka (born 1937) are pioneers of video art, having practiced in the genre since its early days in the late 1960s.[2]
Steina was born in Reykjavík, Iceland and trained as a classical musician before receiving a scholarship at the Prague Conservatory in 1959. Woody was born in Brno, now in the Czech Republic and trained as an engineer before studying television and film production at the Academy of Performing Arts in Prague. The couple met in the early 1960s and moved to New York City in 1965, where they pioneered the showing of video art at the Whitney Museum and founded The Kitchen in 1971. Since 1980 they have been based in Santa Fe, New Mexico.[3]
Steina was born in Reykjavík, Iceland and trained as a classical musician before receiving a scholarship at the Prague Conservatory in 1959. Woody was born in Brno, now in the Czech Republic and trained as an engineer before studying television and film production at the Academy of Performing Arts in Prague. The couple met in the early 1960s and moved to New York City in 1965, where they pioneered the showing of video art at the Whitney Museum and founded The Kitchen in 1971. Since 1980 they have been based in Santa Fe, New Mexico.[3]
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