UF Digital Worlds: SPRING Tuesday 9th Period
“Projection Design” offers a hands-on approach to the design, planning and execution of digital projections in a variety of performance spaces by using a combination of industry standard and open source research software tools. Students configure and test a large set of media formats in a variety of display situations and venues. Student will present a multi-screen digital projection media project, a research process weblog and collaborate with engineers and artists.
Saturday, November 22, 2014
Friday, November 21, 2014
Tuesday, November 18, 2014
Monday, November 17, 2014
I happened to find Björk's work more fascinating, perhaps because of its use of digital projection technology. I watched a few pieces, one of them being even more different than the others, called "Cocoon." From prior knowledge, the Japanese believe that the red string represents fate, and that it connects two people together romantically.
It really is a video you have to watch to understand it yourself.
From the way Barney is sequencing his shots, it looks like two parties are going on in the opposing blimps. The two colors of grapes are the only distinguishing characteristic between the two rooms. The play on vertical and horizontal lines is a pretty strong theme in his first part as the legs are a huge emphasis in the beginning and at this point. There is the metaphor of the women's legs being as fine as porcelain as they are leaning out the window. This relationship is established during the overhead camera view in which all the legs are horizontal, much like the supporting structure of the centerpiece of the table. The guiding lines of the legs and the centerpiece would lead you side to side to make the comparison for yourself.
In addition to the lines, there is a voyeuristic sort of theme going on in the piece. The women start out as scantily clad and willing to show off what is underneath their skirts. On the blimp however, the dress style of the women appear to be quite prudish, almost like catholic school nuns. There is a lot of peeking at them from under the table, staring at their feet and crossed legs. It almost illustrates the subtle way men look at women when they aren't aware of it.
Barney seems to start a new sequence with the woman under the table. Due to the way she is dressed and the broken music box sort of background ambiance, it feels like we are staring at a broken doll that is laid to rest. I feel like the grapes illustrate a sort of male stimulation in which the movement conveys a stirring in the loins. The way Barney cuts from the prudish woman to the one under the bed shows, at least to me, that she is harboring some kind of sexual desire that she is keeping under the covers. They constantly stare out the window for the fear that someone is judging their outer appearance.It looks to me like the football field is masculinity portrayed as a monolith and the women are put on a pedestal way up in the blimps.
Sunday, November 16, 2014
One of Bjork's was impressed on my heart which called Hyper ballad.
Bjork is lying on a digital projection screen with her eyes closed, then another Bjork projects on the former one, with her eyes opened and singing crazily. Multiple overlapped digital layers intwine with each other rhythmically, which draws a split situation for our viewers.
This is also could be interpreted as an excellent digital projection's application in art, I really like it.
Matthew Barney's works I think are a little bit bloody and irascible just as what he said.